MICHAEL FITZSIMMONS DECORATIVE ARTS
Frank Lloyd Wright home
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 30th Anniversary

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These are two views of the living room of a Frank Lloyd Wright house here in Oak Park that I have been working on for several years.  There was no furniture designed for the house, so we had some freedom in terms of what pieces we used.  The settle and morris chairs are by Hile Studio, and the other pieces were custom-designed for the house.  One of the most important instructions that the clients gave me at the start was that the house would be comfortable and liveable for their family and friends.  There could be nothing too precious or museum-like that would make people feel uncomfortable.  I chose fabrics that had a richness both in terms of their color as well as their textures.  Velvets, wovens and subtle patterns predominate, which was a characteristic of the Prairie School interiors.
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The picture on the left is a view into the breakfast room off of the new kitchen.  The table and chairs are custom designs, and subtly play up the Japanese flavor of the architecture.  The recessed ceiling fixture above was designed after the leaded glass, and casts a beautiful glow in the evenings over the whole space.  The photo on the right is of the veranda, and space in the back of the house that looks over the garden.  Wright originally intended this room to be an open porch, we believe, so the walls and woodwork were treated to match the exterior.  It is now enclosed with leaded glass windows, and is a wonderful place to sit and have a quiet conversation, read a book, or unwind at the end of the day.  I chose wicker furniture, but upholstered it in "indoor" fabrics, which creates a pleasant tension.  The furniture is all custom-designed and made of cypress, a gorgeous, albeit soft, wood.
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Here are two views of the master bedroom of the Frank Lloyd Wright house.  While the basic foot print of the room did not change, virtually every surface was touched in some way.  The walls are treated in a special application of sand and tinted paint that perfectly replicates the old sand-coat plaster found in homes of the period.  The pair of chairs, the lamp table, night stands and bed were all custom-designed, since there was no furniture by Wright specified for the house.  The chandelier is period, but I am not sure who designed it.  It is perfect in the room nonetheless, and in fact the colors of the walls were chosen to harmonize with it.  The wall behind the bed has built-in cabinetry behind it, which allowed us to keep the room itself relatively open and uncluttered.  At night, it is a magical, peaceful space. 

 

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