MICHAEL FITZSIMMONS DECORATIVE ARTS
Green & Greene house in Virginia
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 30th Anniversary

This is the entrance court to a beautiful vacation home in the middle of Virginia on a man-made lake.  The shot on the right from the fire pit under construction gives you a good idea of the majestic beauty of the property and the area in general.  I met these clients after a talk I gave at the Arts & Crafts convention in Asheville NC at the Grove Park Inn.  They showed me the plans for the house that was just under construction, and asked if I had any thoughts, since they were rightly feeling a little uneasy about the details that the architect, not an Arts & Crafts specialist, had developed for them.  I told them the entire scheme lacked cohesiveness and continuity, and that there was a disconnect among the various elements, sort of like someone had put post-it notes on pages of an Arts & Crafts picture book, and then set about fitting those images into the floor plan where they might fall.  I asked them a little bit about themselves, and it turned out that the husband had grown up in Pasadena, near the Gamble house, and that they met in college there.  I suggested that a logical source of inspiration for them, given their history and the exterior of the house, which was already 3/4 shingled, would be the architecture of the Greene brothers.  After thinking a minute, the husband remembered that one of his childhood friends had grown up in a Greene & Green house!  The program for the project, at this point, seemed inevitable. 
These are two views of the front door, clearly inspired by the Gamble house.  The glasswork was done by a local woman, a real artisan, who had not heard of the Greenes before, but examined the photos we brought with the eye of an artist, and quickly understood the challenges and techniques needed to create what you see on the right.  The clients and I spent several hours picking through boxes of glass to individually choose each piece, which was tedious but worth it in the end.
On the left is a view of the double-height great room, at the center of the house, which overlooks the lake.  As you can see, the basic structure of the house is typical stud and drywall identical to any modern house.  On the right is what we did with the "trim."  One of the well-kept secrets of Arts & Crafts architecture is that many of the seemingly-structural elements are actually applied woodwork, hollow box beams being the most prevalent example. This may not be the case in all the Greene & Greene houses, but I have certainly seen my share of them here in the Midwest.  In any case, for our purposes constructing all this structure after the fact was the only way possible, since the house had already been framed and drywall started.  For the most part, all the interior rooms, volumes and openings had been determined, and there was reluctance to go back and make wholesale changes.  The challenge was to infuse the Greene spirit as deeply into the bones of the house without tearing it down and starting over.  The first choice I made was to recommend the use of poplar in place of mahogany, a cost saving measure that would allow us to do more elaborate work by saving money on materials.  Using analine dyes instead of stain made the poplar glow like mahogany, and the talented woodworker who did most of the carpentry was invaluable in achieving a look that was far beyond the expectations of the material.
This is a view of the inglenook fireplace with the custom tile work and rug that we had done for the space.  The carpet, by GuildCraft, is based on the design for the Gamble house, but took inspiration from an original watercolor for the palette, rather than the finished rugs that are in the house now, which may have altered over time in color, or been changed at the last minute from mostly greens and blues to mostly yellows, browns and golds.  The tile work was done by one of my sources locally and then installed in Virginia by one of the many craftsmen that the husband found who, once introduced to the house and the Greenes' work, became dedicated to giving their very best efforts.  The picture in the center shows a view from the inglenook bench back towards the staircase and the front door and entry hall.  A language of trim dimensions and heights had to be developed in order to achieve the unity and consistency that characterizes Arts & Crafts interiors, but it was made more difficult than usual because, as I have said, the framing was pretty much in place already.  The picture on the right will be familiar to anyone who has built or walked through a house under construction - the basic builder's staircase.
Since I was working mostly long-distance on this project, with just a few brief visits, most of the design work had to be done in sketches and then faxed or emailed.  On the left is the sketch I made for the staircase, which was then translated on site into the picture you see in the middle.  Luckily, we had a great team of carpenters, and the husband himself became so involved in the process, and was there every day all day to oversee the details of construction and all the field decisions that get made on any project, much more so a project as involved as this, that it would have been impossible to achieve this high level of results any other way.  Many of my days for nearly a year and a half began and ended with 2 hour conversations on the phone making decisions about what was coming up, or analyzing what had just been done. 
Here is my sketch for the kitchen, and two views of the actual room, one in progress, and the other finished.  It is really fun for me to see this kind of comparison, and how closely the results often mirror the initial concept sketch.
These are two views of the small and cozy library, with the walls completely covered in poplar and aniline dyed to match the rest of the house.  Unfortunately, the picture was taken before the soft blue tiles were put in the fireplace surround.  Notice how well the lead carpenter, a genius with wood, understood the vocabulary of the Greenes' joinery and woodwork detailing.  It would have been impossible without his dedication, commitment tot the project and high level of skill.

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