MICHAEL FITZSIMMONS DECORATIVE ARTS
Highland Park bungalow
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 30th Anniversary

This is the view from the street of  a charming little bungalow in the suburbs of Chicago. My clients had lived there, and raised a family, for years, and as new grandparents decided that they wanted to have more room to entertain their children and grandchildren without compromising the cozy and unpretentious qualities that had made it such a wonderful family home in the first place.  The structure on the right of the photo was, I believe, originally a porch that had been enclosed many years earlier.  All eyes fell on this space as having the most potential for creative re-use, but in the end the decision was that it was too small for what they had in mind. There was no way to fix it, so we had to tear it down and rebuild something that we wanted to appear as if it had been a part of the original house. One of the many challenges was to keep the addition in scale with the main part of the house, meaning smaller than the core, so it would read logically as original rather than new.  We also had to avoid a common pitfall when people put additions on to existing houses, namely re-creating functions or types of spaces that already exist.  My client desperately wanted a fireplace in this new interior, but there already was one in the original living room.  It did not quite come to blows, but we were not on the best of terms for a week or so as I slowly convinced her that we should restore the original fireplace and not put a new one in the addition.  I wanted to reconceive the entire floor plan as a single, integrated unit, so that it blended both stylistically and functionally with the original in terms of spatial flow and use of the spaces.
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This is a view of the interior of the enclosed porch before we began work.  There are several things to be learned from this photograph, the first being that the space was physically too narrow to accomplish what the clients wanted.  This is no space for two grandsons to run around in!  The second thing is that they were trying to cram their entire lives into this one space, thereby relegating the rest of the house to the role of a giant pass-through.  It wasn't working comfortably for any of the things they were trying to do here: watch tv, read books, or eat their meals.  By spreading some of these functions back into the original house, and keeping the use of the new space, while bigger, to as few different uses as possible, we were able to make a small addition seem much larger.

Here is more-or-less the same view of the finished addition.  Originally, the dining room was on the other side of the house, opposite the front door, but moving it here made more sense in terms of the overall flow of old into new spaces.  It also allowed for the design of specific compositions if you will, to accommodate specific pieces of furniture.  The window arrangement surrounding the Limbert cabinet was created specifically for this piece, and is centered on the double French doors that open from the original living room.  Paint with sand additive was used on the walls and ceilings to give it a soft, beautiful visual texture.  New baseboard, trim and ceiling moldings were copied exactly from the original part of the house, and new windows were stained to match.  Every attempt was made to blend the new seamlessly with the old, and indeed when you are in the space it is hard to tell that this is all new construction.

This is a view of the other end of the addition.  My client is an avid and talented gardener, and so the window facing the garden was made as large as possible so as to afford a great view of the back yard.  The broad arch that visually creates the two areas of the addition, the dining room and the family room, was inspired by a similar detail elsewhere in the house. The husband was worried that there would not be enough light in the new space, so we added a small bay, which again mimics a similar bay on the old part of the house, and put in a small breakfast / game / homework table and chairs.  It creates a beautiful sense of openness and light but added very little to the overall cost of the project.
One of the reasons that no one really liked sitting in the original living room was it was dark and frankly a little depressing.  The heavy paneling and black-painted fireplace surround did not help matters any.  When I first visited I knew something was not right with this whole situation, and suggested that we at least take the paneling down as a start. Upon removing the paneling. we discovered a fantastic original chimneybreast and the remains of two flanking bookcases, hidden for more than twenty years!  Obviously the painted brick was not original, but most of what we needed to recreate the whole composition, or at least clues to what it used to be, was there.
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Here is a view of the finished fireplace with bookcases.  We were able to locate old bricks from a salvage source that matched exactly in order to rebuild the mantle, and I had my cabinet maker build the bookcases to exactly copy what was there.  It is now a fabulous, inviting and much-used space. This is  a view towards the entry hall and stairs.  While small, the house does not feel cramped because of the generous openings between the spaces.

 

This is a view from the entry hall showing the original doorway into the enclosed porch before work began.  The living room had basically become a passageway to the porch, and was little used on a day-to-day basis. This is the same view after we finished.  The opening into the addition was widened considerably to give a more easy sense of flow, and to parallel the other doorways elsewhere.  Having the living room and dining room connect directly made much better sense than what had existed previously, and, paradoxically, reducing the amount of seating in the living room encouraged my clients to use it more - it was more inviting and better suited to how, and when, they most used it.
The original dining room became a wonderful guest room and full bath.  We kept the "sunroom" feel of the space by using wicker and cane furniture, and a great chandelier that we have made for us that is a copy of a Gustav Stickley design. Here is a view of the small but functional bath.  The fixtures and fittings are from Kohler and Restoration Hardware, but still look perfectly period and correct.

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